I watched What We Do in the Shadows and I liked it. 3.5/5
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“What We Do in the Shadows” (2014), directed by Taika Waititi and Jemaine Clement, is a comedic gem that redefines the vampire genre with its mockumentary style and razor-sharp wit. Set in a dilapidated flat in Wellington, New Zealand, the film follows the lives of four ancient vampires who grapple with the challenges of modern life.
Visually, the film employs a clever blend of faux documentary techniques and classic horror aesthetics. The dimly lit interiors and Gothic décor of the vampire flat create an authentic atmosphere reminiscent of classic vampire lore. However, it’s the juxtaposition of this classicism with the mundane reality of everyday chores and flatmate squabbles that provides the film’s comedic punch.
The ensemble cast, featuring Taika Waititi, Jemaine Clement, Jonathan Brugh, and Ben Fransham, brings a delightful eccentricity to their respective vampire characters. Waititi’s Viago is endearing in his fastidiousness, while Clement’s Vladislav exudes a charming mix of arrogance and insecurity. Brugh’s Deacon, the youngest of the group, adds a rebellious and impulsive energy, and Fransham’s Petyr, an ancient Nosferatu-type vampire, steals scenes with his eerie presence.
The film’s humor is its strongest suit. The wit is sharp and irreverent, often relying on understatement and impeccable timing. The vampires’ attempts to navigate modern technology, their struggles with household chores, and their bickering over mundane matters are all sources of comedic gold. The film brilliantly satirizes both vampire mythology and the absurdities of contemporary life.
Additionally, “What We Do in the Shadows” excels in its character dynamics. Each vampire has a distinct personality and backstory, and their interactions provide a rich tapestry of humor and camaraderie. The addition of Nick (Cori Gonzalez-Macuer), a newly turned vampire, injects fresh energy and introduces an outsider’s perspective, further enhancing the comedic dynamic.
However, the film occasionally leans into moments of excessive absurdity, potentially alienating viewers who prefer a more grounded comedic approach. Some gags may border on the surreal, which may not resonate with all audiences.
The film also employs a mockumentary format, with characters frequently addressing the camera directly. While this technique enhances the comedic effect by allowing the characters to share their inner thoughts and confessions, it may feel overused or intrusive to viewers seeking a more traditional narrative.
Beyond the laughs, “What We Do in the Shadows” subtly explores themes of friendship, loyalty, and the challenges of immortality. Beneath the veneer of supernatural beings lies a relatable portrayal of individuals struggling to find purpose and connection in an ever-changing world. This unexpected depth adds an emotional layer to the film, balancing its comedic elements.
In conclusion, “What We Do in the Shadows” is a standout entry in the vampire genre, blending clever humor with a fresh perspective on age-old myths. Taika Waititi and Jemaine Clement’s collaborative effort results in a film that is both hilarious and unexpectedly poignant. While its humor may not resonate with every viewer, those with an appreciation for irreverent satire will find this mockumentary a comedic tour de force.