I watched West Side Story (2021) and I liked it. 3.5/5
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Steven Spielberg‘s reimagining of the classic musical, “West Side Story,” is a visual and auditory feast that pays homage to the original while injecting new vitality into the timeless tale. Set against the backdrop of 1950s New York City, the film pulsates with an energy that is both familiar and refreshingly modern.
Anchored by the luminous performances of Rachel Zegler and Ansel Elgort as Maria and Tony, the film’s central love story blooms amidst the tumultuous rivalries of the Jets and the Sharks. Zegler imbues Maria with a luminous innocence that shines through her soaring vocals, while Elgort’s Tony exudes a rugged charm and aching vulnerability.
Spielberg’s direction is a masterclass in orchestrating large-scale musical sequences. From the electrifying dance-offs to the heartrending duets, every moment is staged with precision and emotional resonance. The iconic “Dance at the Gym” sequence is a kinetic tour de force, while “Tonight” is a luminous exploration of young love amidst urban chaos.
Justin Peck’s choreography infuses the film with a kinetic energy that propels the narrative forward. The dance sequences are a breathtaking fusion of athleticism and artistry, showcasing the physicality and grace of the performers. Each movement is a visual symphony, a testament to the power of dance as a form of expression.
Leonard Bernstein’s iconic score is reimagined with lush orchestration and a reverence for its original brilliance. The timeless melodies are given new life, with Spielberg and his team paying homage to the musical’s roots while infusing it with a contemporary sensibility. The result is a soundtrack that resonates with both nostalgia and a fresh, vibrant spirit.
The supporting cast delivers standout performances, with Ariana DeBose as Anita and David Alvarez as Bernardo leaving an indelible mark. DeBose’s Anita is a force of nature, radiating sensuality and fiery determination. Alvarez imbues Bernardo with a potent mix of pride and vulnerability, making his character’s arc all the more poignant.
The film’s visual aesthetic is a marvel to behold. Spielberg and cinematographer Janusz Kamiński employ a color palette that mirrors the emotional arcs of the characters. Vibrant hues saturate the screen during moments of exuberance, while muted tones convey the weight of conflict and loss. The result is a visual tapestry that immerses the audience in the world of 1950s New York City.
While the film’s technical and artistic achievements are undeniable, there are moments where it struggles to find its own voice amidst the weight of its predecessor. Certain scenes hew closely to the 1961 adaptation, inviting inevitable comparisons. However, Spielberg’s vision ultimately shines through, infusing the narrative with his signature directorial flair.
The film’s runtime, at over two and a half hours, may test the patience of some viewers. While the narrative depth allows for richer character development, there are moments where the pacing lags. Tighter editing in certain sequences could have maintained the film’s emotional momentum without sacrificing its thematic resonance.
In conclusion, “West Side Story (2021)” is a grand reimagining that pays tribute to the beloved original while carving out its own place in the pantheon of musical cinema. With powerhouse performances, electrifying choreography, and Spielberg’s deft direction, the film is a visual and auditory spectacle. While it occasionally grapples with the weight of its predecessor, it ultimately emerges as a triumphant retelling that captures the heart and soul of a timeless classic.