I watched Triangle of Sadness and I liked it. 3/5
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Ruben Östlund’s “Triangle of Sadness” (2022) sets sail as a satirical comedy-drama that mercilessly lampoons the super-rich and the fashion industry. Starring Harris Dickinson and Charlbi Dean as the fashionable duo, Carl and Yaya, the film embarks on a luxury cruise that takes an unexpected turn when a storm strands them on a deserted island, challenging their notions of social hierarchy.
Östlund’s sharp satire is the film’s shining beacon. With unrelenting wit, he dissects the extravagance, avarice, and self-absorption of the characters, delivering a scathing commentary on opulence and privilege. The film’s humor is not only uproarious but also leaves viewers pondering the absurdities of the world it portrays.
The performances are outstanding across the board. Dickinson and Dean breathe life into Carl and Yaya, seamlessly oscillating between humor and heartfelt moments. Their on-screen chemistry is palpable, grounding the narrative in a captivating dynamic. The supporting cast, featuring Woody Harrelson, Dolly de Leon, and Zlatko Burić, all deliver memorable performances, adding depth to the ensemble.
“Humor and shock” are the film’s forte, pushing boundaries and leaving an indelible mark on viewers. Östlund fearlessly navigates through audacious territory, crafting moments that will undoubtedly linger in memory. However, it’s worth noting that some audiences may find the film’s brand of humor to be provocatively unapologetic.
Yet, the film isn’t without its shortcomings. The pacing, at times, feels deliberate, stretching the runtime to what may seem excessive. While the lingering shots are visually striking, they may test the patience of those seeking a brisker narrative.
The climax, in all its exaggerated glory, verges on the ludicrous. This overt theatricality may challenge the film’s intended impact, diverting attention from its core message.
In summation, “Triangle of Sadness” is a well-crafted film, boasting incisive satire, stellar performances, and moments of uproarious audacity. However, its deliberate pacing and extravagant denouement may pose challenges for some viewers.