I watched The Last Duel and I liked it. 3.5/5
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The Last Duel, directed by Ridley Scott, thrusts viewers into the heart of medieval France, delivering a gritty and unflinching portrayal of honor, justice, and betrayal. Based on true events, the film explores a brutal trial by combat, where two knights fight to the death to settle a dispute. While The Last Duel boasts outstanding performances and impressive production values, it occasionally falters in its pacing and character development.
Set against the backdrop of the Hundred Years’ War, The Last Duel immerses the audience in a meticulously recreated medieval world. Ridley Scott’s direction shines through in the film’s visceral and realistic portrayal of the era. From the sprawling castles to the mud-drenched battlefields, every detail is meticulously crafted, transporting viewers back in time. The cinematography by Dariusz Wolski adds an extra layer of authenticity, capturing both the grandeur and the grit of medieval France.
The cast of The Last Duel delivers standout performances that elevate the material. Matt Damon, Adam Driver, and Jodie Comer each bring depth and authenticity to their respective roles. Damon, as Sir Jean de Carrouges, exudes a rugged determination, embodying the unwavering sense of honor that drives his character. Adam Driver’s portrayal of Jacques Le Gris is a study in complexity, blending charm with a simmering undercurrent of menace. Jodie Comer, as Marguerite de Carrouges, is the emotional anchor of the film, infusing her character with strength and vulnerability.
The film’s narrative structure is a bold and innovative choice. Divided into three distinct perspectives, The Last Duel allows the audience to witness the same events from different viewpoints. This narrative device not only adds depth to the story, but also challenges the audience’s assumptions about truth and perspective. It’s a powerful reminder that history is often shaped by those who hold the pen.
However, this narrative structure also presents some challenges. The first act, which follows Jean de Carrouges, is the most engaging and tightly paced. As the story progresses, the film takes a deliberate turn in focus, shifting to the perspectives of Jacques Le Gris and Marguerite de Carrouges. While this approach offers a multi-layered exploration of the characters’ motivations, it also leads to a loss of momentum. The middle act, in particular, feels slightly overextended, potentially testing the patience of some viewers.
Character development, while strong for the central figures, falls a bit short for some of the supporting cast. There are moments where intriguing characters are introduced, only to remain somewhat underutilized. The film’s richness in historical context sometimes comes at the expense of fully fleshing out certain secondary characters, leaving the audience craving more depth and nuance.
The Last Duel excels in its unflinching portrayal of the harsh realities faced by women in medieval society. Marguerite de Carrouges’ journey is a powerful testament to the strength and resilience of women in the face of systemic oppression. Jodie Comer’s performance is a tour de force, capturing the complexity of a woman who defies societal norms to seek justice.
In conclusion, The Last Duel is a visceral and thought-provoking historical epic that grapples with themes of honor, justice, and truth. Ridley Scott’s masterful direction, combined with standout performances, brings medieval France to life in vivid detail. While the film’s ambitious narrative structure and unflinching portrayal of gender dynamics are commendable, it occasionally stumbles in pacing and character development. Nevertheless, The Last Duel stands as a testament to the enduring power of storytelling in exploring the complexities of human nature.