I watched The Killing of a Sacred Deer and I liked it. 3.5/5
–
Yorgos Lanthimos, known for his penchant for unsettling narratives, takes audiences on another psychologically jarring journey with “The Killing of a Sacred Deer”. From the very first frame, it’s evident that this is not a film for the faint of heart.
Colin Farrell, in a typically enigmatic performance, portrays Steven Murphy, a successful heart surgeon. Nicole Kidman complements him as his poised and elegant wife, Anna. Their seemingly idyllic family life is disrupted by the arrival of Martin, played with an eerie detachment by Barry Keoghan. Martin, a mysterious teenager, brings with him an ominous presence that slowly tightens its grip on Steven’s life.
The film’s deliberate pacing is both its strength and its weakness. Lanthimos employs long, static shots and stilted dialogue to create an atmosphere of stifling discomfort. The deliberate, almost clinical, framing reflects the emotional detachment of the characters. This approach immerses the audience in the characters’ increasingly bizarre world, but it may test the patience of viewers seeking a more conventional narrative.
The narrative takes a dark turn when Martin’s true intentions come to light. The revelation triggers a moral dilemma that is both disturbing and morally confounding. Lanthimos masterfully explores themes of guilt, sacrifice, and the perverse nature of retribution. The film doesn’t shy away from the uncomfortable questions it raises, leaving the audience to grapple with their own sense of justice.
Barry Keoghan delivers a standout performance as Martin. His portrayal strikes a delicate balance between vulnerability and menace, keeping the audience perpetually uneasy. Farrell’s portrayal of Steven is equally captivating. He captures the character’s internal struggle with a quiet intensity, revealing the cracks beneath his composed exterior. Kidman brings her signature grace to Anna, portraying a woman torn between loyalty and self-preservation.
The film’s score, composed by avant-garde musician György Ligeti, is haunting and discordant, further heightening the sense of unease. The dissonant strings and pulsating rhythms create an atmosphere that is simultaneously beautiful and chilling. The soundtrack serves as a perfect complement to the film’s unnerving visuals.
While “The Killing of a Sacred Deer” is undoubtedly a powerful exploration of moral ambiguity, it is not without its flaws. The deliberately paced narrative may prove to be a barrier for viewers seeking a more immediate payoff. Additionally, some may find the film’s ambiguous conclusion frustrating, as it leaves several key questions unanswered.
In conclusion, “The Killing of a Sacred Deer” is a chilling descent into moral ambiguity. Yorgos Lanthimos crafts a visually arresting and emotionally unsettling narrative that lingers long after the credits roll. The film’s deliberate pacing and unflinching exploration of dark themes may be a deterrent for some viewers, but those willing to grapple with its uncomfortable questions will find a deeply impactful cinematic experience. Barry Keoghan’s mesmerizing performance, coupled with Lanthimos’ unapologetic direction, make this a film that demands to be seen, even if it’s not easily forgotten.