I watched Perfect Days and I liked it. 3.5/5
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Perfect Days is a contemplative, gentle film that finds beauty in the rhythms of everyday life, offering a refreshing change of pace from typical cinematic drama. Directed by Wim Wenders, this Japanese-language film follows Hirayama (Koji Yakusho), a middle-aged man who works as a public restroom cleaner in Tokyo. Rather than filling the screen with dramatic twists or intense emotions, Perfect Days invites viewers to slow down and appreciate the quiet, often overlooked details of daily existence. It’s a beautifully shot and introspective film that, while slow at times, rewards patient viewers with its subtle warmth and charm.
At its heart, Perfect Days is about simplicity. Hirayama lives a life that might seem mundane to some: his days are spent meticulously cleaning public restrooms, maintaining routines, and taking solitary drives through Tokyo. Yet, Yakusho’s performance is incredibly moving, capturing the quiet contentment and depth of a man who finds peace in the small routines of his life. His portrayal is understated yet profound, giving us a character who is fully at ease with himself and appreciative of the world around him. Yakusho’s calm demeanor and nuanced expressions speak volumes, making Hirayama’s simple life resonate with authenticity and warmth.
Wenders’ direction is delicate and patient, letting the visuals and atmosphere tell much of the story. The cinematography beautifully captures the city of Tokyo, presenting it not as a bustling metropolis but as a place of serenity and contemplation. From morning light streaming through trees to the neat orderliness of the restrooms Hirayama cleans, every shot is carefully composed, highlighting the beauty in order and repetition. The film’s pace mirrors Hirayama’s routine, unhurried and meditative, creating a unique atmosphere that encourages viewers to slow down and observe the details in each frame.
However, the film’s dedication to its slow, observational style may not appeal to everyone. Perfect Days often lingers in moments that feel purposefully uneventful, and the lack of a traditional plot or emotional highs and lows can make it feel overly drawn-out. While this approach reinforces the film’s themes of simplicity and mindfulness, it occasionally borders on tedious, and some viewers may find their patience tested by the film’s restrained storytelling.
But beneath its minimalism, Perfect Days offers glimpses into Hirayama’s past and inner world that add layers of complexity. Through subtle interactions and quiet revelations, we learn more about the choices that led him to his present life. There are moments of humor and unexpected connection that punctuate Hirayama’s solitude, from a chance meeting with a young woman who may be his niece to his small acts of kindness and curiosity about the world. These encounters feel poignant without disrupting the film’s tranquil flow, adding emotional depth to a story that largely unfolds in the unspoken.
The film’s soundtrack, filled with classic rock tunes that Hirayama listens to on his cassette player, adds a touch of nostalgia and personality, revealing a bit more of his character without needing dialogue. These small details bring us closer to Hirayama, making his quiet life feel meaningful and vibrant in its own way.
In the end, Perfect Days is a film about finding peace in life’s small routines, capturing the essence of a man who has discovered contentment in the ordinary. While its pacing and minimalism may not be for everyone, it’s a meditative journey that resonates with those willing to slow down and embrace its quiet beauty. Wenders and Yakusho have created a film that, like Hirayama himself, finds joy and meaning in the overlooked corners of life.
If you’re looking for a film that celebrates simplicity and mindfulness, Perfect Days is a rewarding watch that lingers long after the final scene. It’s a reminder that sometimes, the most profound stories are hidden in the quietest moments.