I watched Guillermo del Toro’s Pinocchio and I really liked it! 4/5
–
Guillermo del Toro‘s “Pinocchio” (2022) stands as a remarkable achievement in stop-motion animation, co-directed by Mark Gustafson. Loosely based on Carlo Collodi’s 1883 novel, the film unfolds in Fascist Italy during World War II, seamlessly weaving dark and mature themes like child abuse, mortality, and war with a heartwarming tale of love, family, and the pursuit of dreams.
Visually, the film is a marvel. The intricacy and expressiveness of the stop-motion animation elevate it to a level of artistry rarely seen. The characters come alive with a depth of emotion, set against a backdrop that is both enchanting and palpably real.
The ensemble cast delivers stellar performances. Ewan McGregor lends his voice to Geppetto, the masterful woodcarver behind Pinocchio’s creation. David Bradley portrays the wise conscience, Sebastian J. Cricket, while Gregory Mann breathes life into the titular character, offering a truly remarkable performance.
The music is a standout feature, with songs that are not only catchy but also finely crafted, enhancing the overall cinematic experience.
Nonetheless, the film is not without its flaws. Pacing occasionally falters, disrupting the narrative’s natural flow, and some subplots are left feeling underdeveloped. Additionally, the ending strikes a bittersweet note, which may leave some viewers yearning for a more conclusive resolution.
In conclusion, Guillermo del Toro’s “Pinocchio” is a cinematic triumph, offering something for viewers of all ages. Its visual splendor and a cast of captivating characters are supported by a narrative that deftly navigates dark themes while emphasizing hope and resilience. The stop-motion animation is nothing short of breathtaking, a testament to the skill and dedication of the animators.
The film’s willingness to tackle complex subjects with honesty and depth is a commendable strength. Pinocchio’s journey becomes an inspirational tale of overcoming adversity to achieve one’s dreams.
While moments like Geppetto’s creation of Pinocchio and the interactions between Pinocchio and Sebastian J. Cricket stand as powerful highlights, the film’s pacing can occasionally lag. Some subplots, like those involving Count Volpe (Christoph Waltz) and the Podestà (Ron Perlman), could have been explored further. The bittersweet ending, though fitting, may leave some longing for a more conclusive resolution.
Ultimately, Guillermo del Toro’s “Pinocchio” garners a well-deserved 4 out of 5 stars. It is a cinematic gem that caters to a wide audience, though its pacing, subplots, and ending might not resonate with every viewer.