I watched Barbarian and I liked it. 3.5/5
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“Barbarian,” a 2022 horror flick directed by Zach Cregger and headlined by Georgina Campbell and Bill Skarsgård, thrusts audiences into a heart-pounding narrative where a seemingly innocent rental home unravels into a nightmare of suspicion and terror.
Cregger’s visual direction in “Barbarian” is a commendable aspect of the film. He expertly crafts an eerie atmosphere, utilizing shadow and light to perfection. The cinematography, in particular, deserves applause. Cregger employs close-ups to intimately capture the characters’ expressions, giving the audience a front-row seat to their fear and trepidation. These techniques create an environment rife with suspense, adding layers of unease to the viewing experience.
The plot of “Barbarian” is a rollercoaster ride of suspense and intrigue. Twists and turns abound, ensuring that the audience remains on the edge of their seats. The film’s adept pacing builds tension to an almost unbearable degree, making for genuinely hair-raising moments.
Yet, while the plot shines in many aspects, it does bear some imperfections. At times, the storyline ventures into predictability, and the film’s climax leaves a touch to be desired. Additionally, the middle act of the film grapples with pacing issues, causing it to drag.
The performances in “Barbarian” stand as a testament to the talent of the cast. Georgina Campbell and Bill Skarsgård deliver captivating and authentic portrayals of their respective characters. Campbell breathes life into Tess, a young woman fighting for survival in a perilous situation. Her performance is marked by its authenticity and emotional depth. Skarsgård, too, shines as Keith, the enigmatic stranger whose presence in the rental home unravels the narrative’s core mystery.
“Barbarian” explores a tapestry of themes, weaving together threads of trauma, trust, and the peril of unfamiliar faces. It delves into the enigmatic nature of evil, unearthing its unexpected guises. Through its characters, the film asks probing questions about the boundaries of human vulnerability and resilience.
In conclusion, “Barbarian” is a well-crafted horror film that boasts several strengths. The performances are compelling, the storytelling is taut with suspense, and the visual atmosphere is rich in foreboding darkness. However, it is not without its share of imperfections. The plot occasionally treads predictable ground, and pacing hiccups disrupt the otherwise taut narrative. For aficionados of the horror genre, “Barbarian” warrants a watch, but it’s advisable to brace for its minor shortcomings.